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(Royal Academy of Dramatic Art)
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| FINALS Ð APRIL 1985 | |
|---|---|
| Bancroft Gold Medal | Iain Glen |
| Kendal | Ralph Fiennes |
| Vanbrugh | Neil Dudgeon |
| RADA Silver Medal | Imogen Stubbs |
| RADA Bronze Medal | Jane Horrocks |
| Stephen Murray Memorial | Tania Wade, Serena Gordon |
| Tree Prize | Darryl Knock |
| Sir Emile Littler Awards | Imogen Stubbs, Ralph Fiennes |
| Edith Evans Memorial | Richard Hicks |
| Cedric Hardwicke Memorial | Niel Dudgeon |
| Sherek | Wayne Foskett |
| Forbes-Robertson (verse) | Ralph Fiennes |
| Oughton (character) | Darryl Knock |
| Edmund Gray (high comedy) | Jason Watkins |
| Fabia Drake's comedy Prize | Peter Gunn |
| D. Taylor's Shakespeare Prize | Timothy McCurdy |
| Maude (movement) | Ronan Vibert |
| Hannam-Clarke (dialect) | Jason Watkins |
| Shakespeare Schools (classical) | Ralph Fiennes |
| Arthur Talbot Smith | Simon Gregor |
| Christine Silber Memorial (diction) | Louis Hilyer |
| Bossom Prize (diction) | Ralph Fiennes |
| Stage Fighting: | |
| Barton | Imogen Stubbs & Simon Gregor |
| Moseley | Iain Glen |
| Crean | Ralph Fiennes, Richard Hicks, Ronan Vibert, & Jason Watkins |
| Ware | Ralph Fiennes & Iain Glen |
When
I was offered a place at RADA I was determined to make the most of it.
I had never really thrived in the world of academia, but now for the
first time I was studying something that I actually had a passion for.
One of the major benefits of the training was simply the number of productions;
working with many different directors and performing in both studio
and main house. It was the equivalent of permanent employment at such
a formative period for any aspiring actor. Taking on a wide variety
of roles that the profession would never have offered you even if you'd
been lucky enough to find work. We were a very tight and I think gifted
bunch and many went on to achieve fine careers in the big outside world.
The principal was Hugh Crutwell who was an inspiration to every student
who passed through RADA during his tenure. When we started working professionally
Hugh always found time to come and see your work and was never shy of
offering a critique. There was no-one's opinion that I valued more highly.
Second Term Acting Course
Name: Iain Glen
Summer 1983
An engaging, intelligent actor who sought such intellectual subtleties
that his body and voice were forced to contort themselves in response.
He is now much freer in resonance because there is more balance with breathing
and, both in his speaking and singing voice, he finds increasing meaning
and beauty of tone. His commitment is total.
- Geoffrey Connor
Technique: Greatly improved in use of the body without
force and with more ease and flow. Hollow back is still rather apparent.
TO WORK ON: Explore even more the use of weight and flow
in order to release images with more richness of texture.
- June Kemp
(G.B.S THEATRE from 3-5 November 1983)
See Steppenwolf credits in the right hand side scroll box.
4/11/83
Dear Iain,
Congratulations on your really remarkable performance in Steppenwolf,
it's an amazing achievement: a most impressive centrepiece to a gripping
theatrical experience. The show has come together magnificently and
held the audience enthralled. I'm very thrilled for the whole group;
and your contribution is invaluable. Well done! And thanks.
Hugh Crutwell.
I'll be seeing it again on Saturday.
Reviewed by Bryan Mosley.
Congratulations to Iain Glen and Ralph Fiennes for their excellent work, I hope they will both find the opportunities to use their splendid skills in future careers. The Bryan Mosley prize for best performance in armed combat went to Iain Glen, and it was a close run thing between the two. Ralph (who wins the Patrick Crean prize for outstanding performance in armed combat) was rather too kind in aiming slightly off target several times, and this lost him my prize. My view is that the more accurate the stroke the safer the parry can be, but anxiety of ten caused a last second diversion off target which results in parries being too wide or even to miss altogether. Nonetheless, a very finely matched and thought out fight.
Iain Glen
Harry Haller
Claire Hackett
Hermine
Neil Dudgeon
Pablo
Julia Fabris
Harry's Landlady
Sean O'Callaghan
Nephew
Simon Gregor
Gustav
Jane Horrocks
Harry's Mother
Peter Gunn
Harry's father
Angela Connolly
Harry's Wife
Richard Hicks
Professor
Serena Gordon
Professor's Wife
Imogen Stubbs
Dinner Guest
Ronan Vibert
Dinner Guest
Brian Phillips
Chessplayer
Tim McCurdy
Goethe
Jason Watkins
Mozart
Tania Wade
Maria
By August Strindberg
(GBS Theatre 3-6 April 1985)
Translated by Michael Meyer.
Iain Glen
The Captain
Angela Connolly
Laura
Claire Hackett
Bertha
Tim McCurdy
Dr Ostermark
Richard Hicks
The Pastor
Kate Lauren
The Nurse
David Morrissey
Nojd
Ewan Hooper
Director
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